Thursday, January 23, 2020

The Bone People- Relationships Essay -- Essays Papers

The Bone People- Relationships Relationships surround us all though out lift. Everyone needs some type of relationship, whether it's a friendship, family, or lover. People can't last without them, no matter how different the relationships are. In the novel The Bone People, it's based on the relationships between the three main characters; Kerewin, Joe and Simon. The relationship between Kerewin and Joe was very odd. They have a type of relationship that they aren't even sure about, they like each other, but don't realize it. It's starts off with Joe asking Kerewin: "Are you afraid of kissing," and Kerewin answers "I don't like kissing." (pg: 265) It's both a strange question and answer. Then later on in the page, Joe keeps on the topic by saying: "I thought maybe someone had been bad to you in the past, and that was why you don't like people touching or holding you." "Ah damn it to hell," she bangs the lamp down on the desk and the flame jumps wildly. "I said no. I haven't been raped or jilted or abused in any fashion. There's nothing in my background to explain the way I am." She steadies her voice, taking the impatience out of it. "I'm the odd one out, the peculiarity in my family, because they're all normal and demonstrative physically." (pg: 265) Joe is Sharing with Kerewin his feelings about family, and childhood. "I've often thought that maybe what happens to you as a child determines everything about you. What you are and what you do, a...

Wednesday, January 15, 2020

Gloria Anzaldua’s Aztlan: the Homeland

In her essay La Frontera, Gloria Anzaldua provides a detailed history of the persecution of the Chicano settlers of the U. S. Southwest at the hands of their Anglo oppressors. Anzaldua refers to the Aztlan, the borderlands between the United States and Mexico encompassing parts of Texas, New Mexico, Arizona, and California, as a â€Å"vague and undetermined place created by the emotional residue of an unnatural boundary†¦the prohibited and forbidden are its inhabitants†¦the squint-eyed, the perverse, the queer, the troublesome†. I find the author’s utilization of the word queer to describe the Aztlan peoples particularly interesting, as it draws a recognizable parallel between the historical struggles of Chicanos with the enduring tribulations of the LGBTQ community in modern America. Anzaldua accuses â€Å"The Gringo†¦the fiction of white superiority† of â€Å"seizing complete power, stripping Indians and Mexicans of their land while their feet were still rooted in it† and even goes so far as to make mention of â€Å"Anglo terrorism†. The author’s characterizations of the oppressive actions of the political-ruling white class towards the Chicano people can just as easily be applied to recent legislation crafted by several right-leaning politicians that serves only to strip LGBTQ individuals of their civil rights and to designate said persons as second class citizens. These statutes include the recently invalidated Proposition 8 here in California as well as the Federal Defense of Marriage Act, which would have forbidden gay couples from enjoying the same marriage benefits as heterosexual spouses, current state laws or constitutional amendments in 35 states that define marriage as being exclusively between a man and a woman, and current anti-sodomy laws aimed squarely at gay couples in 13 states that remain on the books despite such laws being outlawed by the US Supreme Court 10 years ago. Such anti-gay legislation is similar in prejudicial and persecutory scope as recent anti-immigration legislation enacted in Arizona and Alabama that seeks to intrude on the civil rights of Latin Americans in those states, who face imprisonment and deportation for non-compliance. As described by Anzaldua, the continuous berating of the Chicano people, â€Å"faceless, nameless, invisible, taunted with hey cucaracho and mojado† is ll too similar to the constant torment faced by members of the LGBTQ community by intolerant members of the oppressive majority, such as being verbally assaulted as â€Å"fags†, â€Å"queers†, â€Å"homos†, and much worse. Gloria Anzaldua eloquently equates the Chicano struggles with their Anglo imperial masters in the Aztlan with the LGBTQ struggle for civil rights in modern American society, and unfortunately, these fights will have to both continue to be waged will into the foreseeable future.

Tuesday, January 7, 2020

Research Paper On Vincent Van Gogh - 705 Words

Vincent Van Gogh: The Life and Impression of a Post-Impressionist A great artist once wrote, â€Å"If you hear a voice within you say you cannot paint, then by all means paint, and that voice will be silenced†. This artist was Vincent van Gogh, soon to be an appraised artist known all around the world for his works, such as Starry Night. He is one of the very first artists of the post-impressionist style than is now adored in every continent. However, there is much more to the man than one painting. Creating a full timeline that stretches beyond Gogh’s life, this paper will discuss the life of Vincent van Gogh and the impression he made on the world. Vincent Willem van Gogh was born on March 30th in 1853 in Zundert, Netherlands. Named after†¦show more content†¦Vincent then attended preparatory classes with intense lessons of Dutch, German, French, and English along with the traditional array of math and science courses. Yet for reasons unknown, in March of 1868, Vincent returned to his home in Zundert. His boyhood came to a close in July of 1869 when he joined the art business as a dealer for Goupil Co. This was a family tradition, as three of his uncles, including one also by the name of Vincent, were also art dealers. Vincent’s brother Theo would also become an art dealer four years after him. As a young child, Vincent was not known for his own creation of art. Though his family made a great impact on his view of dealing art, he was not an art prodigy like other famous arts such as Henri de Toulous-Lautrec and Pablo Picasso were. While a handful of his drawings between the ages of eight and ten have survived, he did not truly take a serious interest in creating art until he was twenty-seven. (Hulsker Miller, 5-14) After living in London and Paris for Goupil Co., Vincent’s employment came to an end in the first month of 1876. He then followed his father’s footsteps and worked as an evangelist for six months, before the Committee decided he was not fit for the work. Vincent was unsuccessful at several more jobs, and letters between the family members further revel their unease. His mother showed great concern for him in her letter to Theo,Show MoreRelatedThe Starry Night By Vincent Van Gogh1582 Words   |  7 PagesUnderstanding the Arts Thesis Question 11-07-14 Vincent van Gogh One of my favorite pieces of art growing up was The Starry Night by Vincent van Gogh. Van Gogh was a man of his times, but what was his life like? Van Gogh had a religious upbringing and was originally going to be a minister as his occupation. But my main focus and what I want to know, is what were the influences on his life and how did they affect his painting? Between all of these things van Gogh had many influences. 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His unique style is marked by the thick, short, layered brush strokes that make up his paintings. This type of brushwork is very much obvious in each of his pieces, â€Å"Starry Night† in particular. As noted in an article by Maria Popova, it is thought that Van Gogh suffered from variousRead MoreAna Hober. Ms. Rangel. Ap English Language, Period 5. 91026 Words   |  5 Pages Coming up with something original and brilliant does not just happen overnight, of course. It took the Founding Fathers 116 days to write the US Constitution . It took Thomas Edison an alleged 10,000 failures to invent the lightbulb. It took Vincent Van Gogh 37 years and one suicide before he was recognized as a post-impressionist genius. None of those delightful circumstances were ones I had any desire to go through, but they seemed necessary for creating relevant, important works. Thus, I was